Squidpunk

Jeff Vandermeer, City of Saints and Madmen:

Many squid-related words have entered the Ambergrisian vocabulary. While "ambiloquent" still means to be dexterous in double talk, to be "squidiloquent" is a much higher compliment. A "squid wife" sells squid. A "squidler," as opposed to a "squider," is one who handles squid for entertainment. ... A "chamber squid" is a common Mud Squid placed in a hotel room during the Festival for luck. A "squidpiece," no longer much used now that Cappans do not rule Ambergris, used to refer to what can only be termed a kind of ornamental protective gear worn outside of the clothing, covering the genitals. An "obsquidium" would refer to an act of compliance in squid cult orations.

Of course, squidanthropy is the most famous aspect of squidlore.

SQUIDPUNK: THE MANIFESTO

Fiction that unlike New Weird, Steampunk, or Slipstream, is at its core not only about squid, but about the symbolism of squid as color-changing, highly-mobile, alien-looking, intelligent ocean-goers. As a powerful ecosystem indicator, the squid is a potent symbol for environmental rejuvenation. Squidpunk is almost exclusively set at sea and must contain some reference to either cephalopods or to anything that thematically relates to squid, in terms of world iconography and tropes. Squidpunk is never escapist or whimsical. It is always serious and edgy. This combination of a hard punk aesthetic with the fluid propulsion system common to the squid has produced a unique literary hybrid beloved by Mundanes and Surrealists alike.

An interview with Jeff Vandermeer